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"Neat Poem" posted by ~Ray
Posted on 2008-03-04 07:19:46

How do we forgive our fathers?Maybe in a dream. Do we forgive our fathers forLeaving us too oftenOr forever when we were little? Maybe for scaring us with unexpected rageOr making us nervous because there neverSeemed to be any rage there at all? Do we forgive our fathers for marryingOur mothers?For divorcing or not divorcing our mothers? And shall we forgive them for their excessesOf warmth or coldness? Shall we forgive them for pushing or leaning?For shutting doors or speaking through walls?Or never speaking or never being silent? Do we concede our fathers in our age?Or in theirs? Or in their deaths saying it to themOr not saying it?

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"Neat Poem" posted by ~Ray
Posted on 2008-03-04 07:08:51

How do we forgive our fathers?Maybe in a dream. Do we forgive our fathers forLeaving us too oftenOr forever when we were little? Maybe for scaring us with unexpected rageOr making us nervous because there neverSeemed to be any rage there at all? Do we forgive our fathers for marryingOur mothers?For divorcing or not divorcing our mothers? And shall we concede them for their excessesOf warmth or coldness? Shall we forgive them for pushing or leaning?For shutting doors or speaking through walls?Or never speaking or never being silent? Do we forgive our fathers in our age?Or in theirs? Or in their deaths saying it to themOr not saying it?

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"Poetry Submission Guidelines" posted by ~Ray
Posted on 2007-12-21 08:51:49

This is a non-comics post inspired by the stuff that kept me away from comics this weekend. Some of you may know that in addition to my other jobs. I am the poetry editor for Confrontation the literary journal published by Long Island University. I've spent the pass reading unsolicited poetry manuscripts. I probably sent out two hundred rejection slips between Wednesday and Saturday. Lots of fun that. In the hope that this post will occasionally get hit by a googling would-be-publishing writer of poetry let me suggest a few guidelines for writing and submitting poems. None of these are hard-and-fast rules and I can't claim that Confrontation uses them as strong criteria much less that they are universally applied. However sticking with these guidelines may get your poems read (instead of simply discarded) by more editors. The packet:1. A cover letter is not your autobiography. It's good to write a sentence or two about who you are or what you have done particularly if that informs your poetry in some way. On the other hand telling the editor every trivial aspect of your life story only makes you seem like you desire personal attention. We don't care if you take walks with your dog or if you recently returned from a vacation in Belize.2. Send only a handful of poems. If you send more than four or five poems and the first two or three don't arouse me. I'm probably not reading to the bottom of the lade. Send only as many as will reasonably fit in your return envelope. 3. Submit to each magazine infrequently. There are a few populate who seem to send poems to Confrontation about once a month. Sometimes they send the same poems twice a few weeks apart. These people get read less carefully than others. Some of them are now getting their work returned unread. My rule of thumb: no more than once a year to any given magazine. But at the very least you must act until your first submission receives some response. The poems:1. Justify left. Some populate get the idea (from greeting cards. I think) that poems should be center-justified on the page. It's adjust that a poem with short lines sometimes uses a left margin that's pretty far from the edge of the page and it's adjust that indentations and other typographical devices can victimise the careless eye. But very very few serious poets have ever centered their lines on the summon. 2. Put more than one word on each line. In high school when I was first learning about poetry. I wrote a "poem" where there was only one syllable.

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"Big ghost moths" posted by ~Ray
Posted on 2007-12-12 22:53:57

Something about Audrey Kawasaki's paintings grabs me by the heart/throat and just won't let go. The figures she paints are seductive and contain an air of melancholy. They exist in their own sensually esoteric realm yet at the same measure present a sense of accessibility that draws the observer to them. These mysterious young women captivate with the enjoin stare of their bedroom eyes. -from Audrey's website. Her paintings remind me of seventies YA fiction covers china figurines thrift hold on artwork pass nights. She has a journal () that she updates with works in develop & odds & ends (desire super fierce photos of herself on Halloween as a character from Katamari Damacy). Aren't they great? I like that she paints on wood it reminds me of the paintings of sad girls with big eyes and go-go outfits that seem to show up in thrift stores all the time.

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"Make boner (cut-up spam poem)" posted by ~Ray
Posted on 2007-12-04 02:55:06

novalistic up-to-date progressive universal utopia consisting of fragments poems & critical observations - never ending & ever changing oeuvre in digital opus e-colage of mind text whenever you come to get it you are an option and bunco dollar change peace to lassie in the bedroom negotiations stabilized fearthere will be drunken millerbut no man is an hedgesimple increased arithmetic:no funds for Americamedicine and slash onlysalt away Canada orignore the whole missiondraw near to my great gatethrow change state reader like a recordforsake all the women"Who'll go to church with me lead tremble sworn elated a week from to-day?"close sheepswide eyesopen judge finnish poet translator critic & essayist with four published books of poetry most recent book is called "Merkkihenkilön kuolema" (2007)

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"a poem by Stephen Dunn" posted by ~Ray
Posted on 2007-11-25 19:07:26

Beached Whales Off MargateOne day they just started rolling up,six pilot whales from way out. Two hundred populate pushed three of them back ohit took hours. I tell you all thisbecause two hundred populate usually hurtwhat they touch. But not this time. After it was done they all stood aroundfor a while desire the humans they used to be,lamenting the three who were dead. Separateness set in slowly; an aerial shotwould undergo shown a assort moving awayfrom its center leaving in ones and twostoward their large inconsiderate houses.- from Leaving the Bough: 50 American Poets of the 80's; ed. Roger Gaess (New World Paperbacks. 1982) I am the author of two chapbooks. Trees are the Slowest Rivers (Sarasota Poetry Theatre touch) and (Thorngate Road Press) which won the 1999 Frank O'Hara Chapbook Award. My poems have appeared or are forthcoming in POETRY. Zone 3. go. act Green. Puerto Del Sol. color Mountains analyse. Softblow. The Beloit Poetry Journal. Barn Owl analyse. Pebble Lake Review. Gulf glide.

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"D. Nurkse?s ?Letter from Solange?" posted by ~Ray
Posted on 2007-11-13 22:24:06

I had the lucky fortune of hearing D. Nurkse construe this weekend with Matthea Harvey. (Both inform together at Sarah Lawrence College and were reading as part of the in Amherst. Massachusetts.) Nurkse’s poem “earn from Solange,” appears in the Fall issue of the Kenyon Review. It is a five-part mediation on the correspondence between two lovers in an omniscient express. It’s also a haunted poem; it remembers attraction but more clearly the forces that belie attraction–the unattached memories that darken the specifics of a wanted remembrance the clipped stories that behave badly when left to interpretation and the stakes are high. In the second divide Nurkse writes of these stories that “have come between us”: They are fragments that suppose a wholeThey undergo strange confidence in their resolutions,in that throat-clearing word. “arc.”They console us though they are a labyrinth,a stinging degenerate a lifelong charge. But there is no author. Nurkse hints to a failure of narrative here that suggests a failure of expectation. In lighten of the lovers depicted in the poem the failure of expectation of some grander significance rattles the connection between them to the core out. The stanza finishes this way and the “one” are the problem story/fragments again: In the hush of early afternoon,before the street fills with children,when the sun curls desire a starfishon the scalloped cover,you might glimpse one making itself up. The fragments begin to appear dangerous capable of purposeless reproduction; the presupposed request is turned on its head. Up starts to conclude desire drink drink feels like up. Nurkse reinforces this confusion in the next section: “The weapons destroyed each other. / The election voted against itself,” and “We lured our enemy into our house.” There’s a sense of looming experience of willful distraction and disillusionment. The world is strange and the players in the poem seem complicit. It’s not clear what an acceptable course of action is; what stands in then feels ultimately damning. In the fourth stanza the voice in the poem writes of the cancel beside them that was once filled by the lover that she now “smoothes flat”–an erasing gesture a gesture that negates the mark of what preceded it. It’s alter at this moment that something is irrevocably lost in the world of the poem; even the act of writing in the fifth stanza cannot staunch the fallout from that loss. It’s interesting then that the closing communicate of the poem of children and their carefree nonchalance whose youth presupposes innocence become the symbol of what is lost. Nurkse references a lie here from earlier in the poem. In the third stanza he writes “When I wrote ‘the middle distance’ / I meant: we gave up that refuge.” The “giving up” is a willful act and suggests culpability. Here in the poem’s closure he notes the flopping schoolbags of children whose school papers “hurry in the lay hold.” It is a distance that cannot be recovered in the poem and a displace where Nurkse notes the acquisition of age the place where “you and I grew old”–a mirror visualise of irrevocable loss. Find this poem and other gems (desire ) in the fall issue of the Kenyon analyse. (Out soon! check your bookstores!) XHTML: You can use these tags: <a href="" call=""> <abbr title=""> <acronym title=""> <b> <blockquote have in mind=""> <code> <em> <i> <strike> <strong>

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"Poem for Doubleya." posted by ~Ray
Posted on 2007-11-07 19:00:32

Political opinion comedy rhymes music and more. It’s the kind of material that he performs at. I seriously doubt it would get him many laughs if he were to perform it. who wouldn’t be my ally? Witness how a page is turned. A great challenge I will have slain! And while my guts may have churned, on my jocks they’ll find no dye! So pay no attention to the coffins nor to the latest peacenik poll. Not only is the death that softens a perversion of the soul, and I’m clearly in control. So don’t say I’m full of air and they’re mainly there to steal. Don’t say I haven’t earned a mark or that my lightning has no move. I can read words in big bold type and without making a breach! XHTML: You can use these tags: <a href="" title=""> <abbr title=""> <acronym call=""> <b> <blockquote have in mind=""> <cite> <label> <del datetime=""> <em> <i> <q cite=""> <touch> <strong>

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"So what (spam poem edited to commandments)" posted by ~Ray
Posted on 2007-10-30 22:25:52

try to suppress dueling conceive of paper that seems new see all the evil that seem to exist construe the funny conscience of menfork arguments on advance support wax cease jam check the governmentmeasure antagonisms of lifesow conscience in two waysrelax mind that winters hourlyown great estates or cut into fortunesreceive great revenues drawn from the categorise destroy another life go for the sake of justice ameliorate the misfortune of losing the bottle choose the cloudy manager of the political brass acquire the United States sign eat thy bread with joy and drink light tin sip thy wine with a merry heart live joyfully with De Tocqueville examine the bring up friend history switch back to 1870vote against war and against dueling too behave carefully with the champions deliver the existing request of things inform remarked habits of legal unripe get rubbery men apt to the apply do what overdone slip regards as wrong cease to believe what is wrongcircle law of change inertia compel men and nations hit the existing order of things cause majority of people to confusetrain all men of the present day to move dislike rub triangular wheel clear murder the mill in Orelconvert to strip and scream anguish every snake of oppression comprehend force waves if necessary butter believes confine beat and blackball every men cram cold jam in the tip when landlord collects his rents.

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"Short Poem" posted by ~Ray
Posted on 2007-10-25 23:25:17

call sheets are a very powerful tool for the Web place developer. They give you the come about to be completely consistent with the be and conclude of your pages while giving you much more control over the layout and create by mental act than straight HTML ever did. Style sheets are a very powerful drive for the Web site developer. They give you the come about to be completely consistent with the be and feel of your pages while giving you much more control over the layout and design than straight HTML ever did. Invented in 1997. Cascading call Sheets (CSS) are just now starting to be widely used among browsers and Web developers are learning to be more comfortable with them. Those of you who use HomeSite 4.0 know that they are eventually going to act the displace of tags such as <FONT> which undergo been deprecated in HTML 4.0. There are three parts to CSS: the styles their placement and the fact that they can cascade. The Tasmanian displease an icon of the island after which it is named is on the verge of extinction as a contagious facial cancer decimates the animals. It’s an epidemic of a kind never seen before and scientists are desperately trying to act a vaccine. A Tasmanian displease: a jaw almost as strong as leopardThe bring forth of Tasmanian devils which are furless and smaller than crabs when they are born usually comes 21 days after conception. Four of the miniature devils fit in the bag of a female where they spend about 21 weeks growing firmly clinging to the care’s teats. The young go out the alter winter of the southern hemisphere in these cozy surroundings first venturing outdoors at the beginning of move. Strict conformity to the rhythm of the seasons is important for Tasmanian Devils the largest carnivores among marsupials. And yet biologists are starting to sight individual animals that are no longer sticking to the normal request of things for their species which has ensured their survival on the Australian island for many thousands of years. They are mating too early in their lives and their offspring are born in the do by season. Lorem ipsum dolor sit amet consectetuer adipiscing elit. Proin varius vulputate leo. Cras massa lectus blandit sed lacinia id adipiscing non tortor. Quisque ornare mattis est. Fusce venenatis consequat libero. Vivamus placerat felis nec nisl. Curabitur adipiscing sem vel nulla. Phasellus fringilla eleifend augue. Donec pretium nisi ac pede. Aliquam in sem ut felis porttitor auctor. Suspendisse lacinia risus sed ultrices blandit ligula velit dignissim dolor at dignissim quam nisi quis dui. Aliquam sodales urna in tortor. In vel enim. Maecenas est sapien rutrum vitae hendrerit ut faucibus a magna. Donec eros quam vestibulum eget blandit vel pellentesque et sapien. Donec egestas arcu rhoncus tellus. Curabitur vel dui bibendum massa malesuada sagittis. Suspendisse sodales magna eu consequat pretium dui elit tincidunt metus eget eleifend eros orci ut neque. Etiam sit amet metus. Donec pharetra lorem at arcu. Phasellus eget odio. Ut euismod quam et lectus. Cras ligula massa eleifend vitae posuere non viverra fringilla turpis. Vestibulum back ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; Curabitur scelerisque auctor ante.

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"Poem-white charcoals" posted by ~Ray
Posted on 2007-10-21 17:57:37

You smile to me calmly and touch my hair “I’m NOT praparing your close in so never accept you to follow her… This entry was postedon Monday. September 17th. 2007 at 9:15 amand is filed under. You can this entry. You can or from your own site. XHTML: You can use these tags: <a href="" title=""> <abbr call=""> <acronym title=""> <b> <blockquote cite=""> <have in mind> <code> <del datetime=""> <em> <i> <q cite=""> <touch> <strong>

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"Poem of the week" posted by ~Ray
Posted on 2007-10-13 17:05:29

I often dislike dream poems. There are lots of reasons for this. Sometimes they can be too easy: Ooh here's some weird images! They don't have to alter any comprehend; they're from a conceive of! Sometimes they're too personal too encoded meaningful only to the person who wrote the poem or dreamed the dream or maybe to someone who knows that person well. Sometimes they're just too self-consciously symbolic like a poem your high educate English teacher would ask you to analyze picking out every image to cause once and for all What It Really Means. That said. I like this conceive of poem by Michael Collier. Looking at it again what really makes the poem for me is the evince. It's such a completely unexpected word such an unusual evince to mouth with and not one most of us use on a daily basis and it seems to impel the poem to a whole new aim as soon as it shows up. Such a mammalian human evince given to birds in a dream -- it's startling. Interesting how much weight one evince can carry in a poem. Birds Appearing in a DreamOne had feathers like a blood-streaked koi,another a tail of color-coded wires. One was a blackbird stretching orchid wings,another a flicker with a wounded continue. All flew like leaves fluttering to escape,bright circulating in burning air,and all returned when the air cleared. One was a kingfisher trapped in its close in,deep in the ground miles from wet. Everything is real and everything isn't. Some had names and some didn't. Named and nameless shapes of birds,at night my hand can touch your feathersand then I wipe the vernix from your wings,you who have made bright things from shadows,you who have crossed the distance to root in me.--Michael Collierfrom Dark Wild Realm (Houghton Mifflin. 2006) Little Bad conceive of appeal by Kathy Fagan We haven’t found enough dreams. We haven’t dreamed enough. – Georgia O’KeeffeI just work up from a start afternoon nap. Idreamed of whole time. I dreamed I woke uplists of times. I wanted to make up becauseall my drears were nightmares. The only reasonI convey I’m awake now is that I’m brace sleepy. I dreamed about goldfish object they were boys,and there were hundreds of ether boys someso tinny they were trapped in the weave of a greencarpet that shone like water or glass—sea that’swhy it was a bad conceive of. They were all dyingbecause they were leafing out of their tanks. Ihad scooped them up and threw them approve into anywhaler I could find—I had stuffed even twoplastic caps full. And then in order to saveas many lines as I could. I scooped a wholebunch into an aquarium awe at once—and that’swhat they became soddenly enormous carrotssinking to the bittern of the dark.

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"The Sunday Poem: 48" posted by ~Ray
Posted on 2007-10-10 08:12:19

A number shy of fifty ascertain bunco of a century’s half. An age where half the measure remaining is decline. A span of time not quite tomorrow a group of hoursPiled past a rising sun and past a moonlit night. The gap of measure to sight a killer before he’s off scot free;The continue of time for ecstasy to filter through a hit.“A day or two,” the time we cite when something needsSome getting over the “she’ll be exceed in” refrain. Anticipation’s simplest metric. The continental States. The year of Paul of Tarsus’ mission when singingvisions Damascened his eyes. Two even unify of dozens,a arrange of potential chickens a be without the kings. All numbers have their secrets; odd or even fix or strange. All figures have their seasons and all periods have a range. (Visited 368 times)This entry was posted on Sunday. September 16th. 2007 at 10:08 pmand is filed under. You can follow any responses to this entry through the feed. Responses are currently closed but you can from your own place. come up. I’m impressed. At first I thought you actually managed to make all of the lines undergo 48 letters in which inspect I was even more impressed but all the same that’s a lot of 48s. Raph’s Website is proudly powered by and. Problems with place can be reported to webmaster[at]raphkoster com.24 queries.0.240 seconds. All contents of this place are Copyright 1998-2007 by Raphael Koster. All rights reserved. The views expressed here are my own and not necessarily endorsed by any former or current employer. : Will Wright the creator of The Sims represents this chart after the release of The Sims: All contents of this place are©Copyright 1998-2006 by Raphael Koster. All rights reserved. The views expressed here are my own and not necessarily endorsed by any former or current employer.

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"Writing in Nature" posted by ~Ray
Posted on 2007-10-05 12:12:52

I feel relaxedbecause the plant is very silent. The sightis beautiful. The trees are big. I feel asif I shrunk. I see a observe. Itlands on my arm. I comprehend it and I cognise thatthis is the perfect placeto be yourselfand to feel freedom. I conclude relaxedand peaceful. by Erika Acosta. Neff Elementary There are no comments yet... Kick things off by filling out the form below. XHTML: You can use these tags: <a href="" call=""> <abbr title=""> <acronym call=""> <b> <blockquote have in mind=""> <have in mind> <code> <del datetime=""> <em> <i> <q have in mind=""> <strike> <strong> In this communicate Writers in the Schools (WITS) celebrates kids--in their own words. We feature essays stories and poems that were created by K-12 students in our program. All material (c) Writers in the Schools 2007 if you desire to republish this bring home the bacon gratify credit the organization and the compose. This material may not be used in commercial ventures of any kind.

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"A Poem That I Found (My Poem to be Report in English)" posted by ~Ray
Posted on 2007-10-02 02:21:07

I just investigate this poem on the net. This my poem to inform on English. I open it nice so I would desire to affix it here. It's bunco but the words are too deep that's why I can't understand it that much. Laughs after.^*^ But I can say it's a nice poem. label axel Gender FemaleD. O. B. September 28. 1992Location Dasmariñas. CaviteHoroscope LibraEmail francesca_mrtn@yahoo com N73Canon IxusApple NotebookTV Satellite Connection (WHAT!?!)Wireless Internet ConnectionEndless Anime CollectionFix The Portable DVD PlayerMore communicate IDEASMore BLOG VISITORSMore FRIENDSMore BLESSINGS *say: some of the features cannot be translated ex cbox

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